An immersive writing residency is an incredible way to gain knowledge about a country, oneself and fellow writers, the benefits of the exchange can travel far beyond the residency period. WrICE brings together five high-profile Australian and Asian writers for an Asia-based collaborative residency, followed by an an event at the Melbourne Writers Festival. Last Read More »
Our third digital postcard is a photo essay from Xu Xi, an author of nine books of fiction & essays; most recently Access: Thirteen stories (Signal 8 Press, 2011), Habit of a foreign sky (Haven Books, 2010) and Evanescent isles (Hong Kong University Press, 2008). She is currently writer-in residence at City University of Hong Kong and directs their international, low-residency Master of Read More »
Last year, Peril was invited to host a conversation with Foreign Soil award winning author and poet Maxine Beneba Clarke in WrICE: Postcard from Singapore as part of the inaugural Digital Writers Festival. Instead of a solitary conversation in her hotel room, Maxine gathered together the other writers in the residency and Peril‘s Editor-at-Large Lian Low facilitated conversations with an array of Read More »
Our second digital postcard is a short audio recording from Hoi An, where WrICE(the Writers Immersion and Cultural Exchange Program) residency writers Cate Kennedy, Suchen Christine Lim and Jhoanna Cruz are conversing with WriCE Co-Director Francesca Rendle-Short. Francesca has titled the recording – “Nothing is wasted with writing: promise”. Says Francesca in her notes, “The mp3 Read More »
Suchen Christine Lim on her recent writing residency immersion with the Writers Immersion and Cultural Exchange (WrICE) program. This writing residency is like no other. In most writing residencies, the writer works alone. In the WrICE residency, 12 writers from different parts of S E Asia and Australia spend 10 days together to write and Read More »
This is the final part of a three-part report on the Melbourne Writers Festival’s inaugural Asia-Pacific Writers Forum and features responses to Laurel Fantauzzo’s provocation on audience and readership.
This is the second part of a three-part report on the Melbourne Writers Festival’s inaugural Asia-Pacific Writers Forum and features responses from Linda Jaivin’s provocation on politics and censorship.
In a closed industry event, Writers Victoria and the Melbourne Writers Festival have invited poets, writers, translators and literary sector workers from Australia and the Asia-Pacific region to gather at the Wheeler Centre for the Melbourne Writers Festival’s inaugural Asia- Pacific Writers Forum to discuss issues within the region.
Peril’s founding editor, Hoa Pham was recently one of four winners of Seizure’s Viva La Novella 2 competition. Her novella The Other Shore was launched at Readings in early July by writer, historian, teacher and translator Maria Tumarkin. Last year Maria was Hoa’s mentor in Writers Victoria’s Culturally and Linguistically Diverse (CALD) mentorship program. Below are Read More »
The Melbourne Writers Festival opens this Thursday August 21st, with an opening night address by Australian literary icon Helen Garner. A very timely and poignant festival highlight considering Australia’s recent debates on the proposed amendments to the Racial Discrimination Act.
Blak Dot Gallery’s 18C exhibition, co-curated by Jacob Tolo (co-founder and co-director of Indigenous run arts space Blak Dot Gallery with Kimba Thompson) and Torika Bolatagici (exhibiting artist and photography lecturer at Deakin University) is probably the most radical thing an art gallery can do right now, a public and participatory display of protest against Read More »
Please see below the submission to the Racial Discrimination Act (RDA) Exposure Draft from thirty one Victorian based multicultural, faith and community organisations and roof bodies. This coalition of community organisations represent a very broad spectrum of the Victorian community across religions and ethnic groups. Peril would like to thank David Marlow Executive Director of Read More »
Ed’s note: I was invited to speak at Blak Dot Gallery at the opening of 18C – a quick response exhibition to the proposed amendments to the Racial Discrimination Act 1975. Here’s the full transcript of my speech. Keep your eyes peeled on Peril for a review of the opening night and a review of Read More »
On 25th March 2014, the Government Party Room approved reforms to the Racial Discrimination Act 1975. These changes, according to the Government’s media release “will strengthen the Act’s protections against racism, while at the same time removing provisions which unreasonably limit freedom of speech.” The Government has allowed for slightly over a month for community Read More »
At Peril, we’re sad to announce that after six years as Peril‘s Visual Arts Editor, Owen Leong has decided to step down from his position. Through Owen’s wonderful curation, Peril has benefited and grown from his input, not only are we an online literary magazine, we also present a dynamic visual arts archive with work Read More »
Opening this Friday 21st February for the Australasian Chinese Theatre‘s summer season are two short plays – Hyperreality by Lian Low and A Wife’s Revenge by Moni Lai Storz. In this double bill of monologues directed by Wolf Heidecker, taking centre stage are two Chinese-Malaysian-Australian women characters. Hyperreality was a monologue that I wrote 19 Read More »
When I saw applications for Writers Victoria’s CALD Mentorship program, I hesitated in applying, as the emphasis was on being from a non-English speaking background (NESB). I wasn’t sure if this was applicable to me. I explained to the program coordinator that I am of Peranakan-Chinese Malaysian heritage, and my family languages are Hokkien and Read More »
Peril’s upcoming issues 16 and 17 are themed on binaries and dualities. We have named one issue ‘binaries’ and another ‘dualities’, however, the content doesn’t necessarily reflect neat categorisations. We have decided to release content for the upcoming editions over the next few weeks, which means that you’ll have to keep checking Peril to read Read More »
In 2008, Alice Pung edited a groundbreaking anthology, Growing Up Asian in Australia which featured short stories and poems by over fifty Asian Australians. However, prior to the book’s publication, Pung was advised by an industry person that her “heavy introduction” which detailed the invasion and dispossession of Australia’s Indigenous peoples, the White Australia policy, Read More »
There are many ways to tell a story and there are many types of storytellers. An incredible storyteller can make a boring story the most dramatic experience you’ve sat through, a poignant story can fall into a dead pit in the wrong hands. Luckily, under the deft direction of Performance 4A Executive Producer Annette Shun Read More »
Every now and then, I wonder about the year of my birth, the year that my grandfather died. His A4 framed black and white portrait looked on benignly in our family hallway, and while there was nothing scary about his appearance, as a kid, I’d be scampering from one end of the hallway to another Read More »
Candy B is back! Re-working material from last year’s Melbourne Fringe Festival performance of Australian Booty, Candy’s revamped Australian Booty: The Fatty-Boom-Boom Remix deserves a standing ovation. Candy B is a master of her craft and this recent work showcases her many talents as an accomplished writer, actor, comedian and singer. Last year when I Read More »
We walked in about 5 minutes late to Jennifer Wong’s opening to Ouch and Other Words. Jennifer, however, didn’t miss a beat and welcomed us with “Oh, welcome, you’ve missed the best part of the show”, sparking a titter from the crowd in the Carpet Room at the Forum Theatre. The room was so small, Read More »
Recently there has been quite vigorous discussion about the absence of cultural diversity in Australian film and television. While these discussions are not new, its great to see the articles hitting the mainstream press, and bringing to the fore a critical whiteness reading of the film and television industry. Unfortunately, Australia’s White Australia history still Read More »
Added to the long list of career highlights including Music/TV/Documentary producer, Sofie Kim promotes Korea to Australians – with a difference…within the music industry. From the Korean Rock Festivals of Pentaport (introducing artists such as Eskimo Joe, The Grates, End of Fashion) and Busan to Club gigs in Incheon, Sofie’s work of cross cultural promotion Read More »
Dominic completed his Honors in Directing and Politics in 1999 at Flinders University. In November 1999 he was awarded the R.A. Simpson International Traveling Scholarship to Vietnam, and has a MA in Theatre Arts from Monash University, graduating in 2010. Dominic has worked with Huu Tran, Tony Le Nguyen, and Vietnamese Youth Media as an Read More »
Chris Pang, the son of two martial arts instructors, is an Australian actor who played lead character “Lee” in the Australian box office hit “Tomorrow When The War Began” which excelled to be highest grossing Australian film of the 2010 and also went on to break DVD sales records in Australia. Pang’s acting credits also encompass Australian television: the Read More »
It’s not long after Footscray By Night that I catch Hoang Tran Nguyen and David Cuong Nguyen at fauxPho artspace, where Hoang rents a studio space in a 1st floor warehouse which he shares with other artists. The warehouse is minimal, grungy, and a little run-down, belying the rich history of the now disbanded fauxPho Read More »
Amadeo Marquez-Perez has over 15 years experience as a local and international film festival organizer, including with the Bayside Film Festival and 15/15 Film Festival, as well as a Digital Media Workshop Coordinator. He also has a passion for supporting and promoting the stories of a range of communities that are primarily not reflected within Read More »
Somchay’s love for filmmaking started in high school. He completed an advanced diploma in Film & TV Screen production at NMIT. Upon completion in 2004 he was picked up by 50 Kaliber Films. A Melbourne based production company that produced TVC for Mercedes, Honda, Ford and Suzuki. He later left the company in 2006, to Read More »
Born in Taiwan and raised in Melbourne, Corrie is a graduate of the prestigious VCA School of Film and Television. During her time there she wrote and directed Happy Country (2008) and Wonder Boy (2010). Both films have screened at numerous festivals both locally and internationally. Corrie was selected for the Accelerator Talent Camp program at the 2009 Melbourne Read More »
Pearl Tan is the director of Pearly Productions, a film and video production company that provides services to arts organisations and actors. She graduated from the NIDA Acting course in 2005. Originally from Western Australia, she also holds a Communications degree majoring in Media Studies from Edith Cowan University. Her short films Seeya Rach, Thanks for Coming and Baby Read More »
From Lian Low – prose editor Food is essential to our survival, it is nourishing, nurturing and pleasurable, but it can also be a way in to our remembered cultural identities. There are a number of Asian-Australians who have rode the wave as food celebrities – Luke Nguyen, owner and chef of Sydney’s Red Lantern Read More »
The first time I met Fear of a Brown Planet comic duo Aamer Rahman and Nazeem Hussain, it was not at a post-show groupie hangout; it was at the very edge of the performance stage of an overcrowded Espy where we were all moshed in together to watch one of the legends of hip-hop – Public Enemy.
Prose and poetry editorials.
Editorials from Peril prose editor Lian Low and poetry editor Miriam Lo.
Owen Leong’s solo exhibition Birthmark recently opened at Anna Pappas Gallery in Prahran, Melbourne. In Birthmark, twelve half-human, half-creature photographic portraits are displayed along the walls of the gallery. Their gazes resist an easy reading, their commonality their shared Asian-Australian identities and the Australian native moths that mark their faces. Whether the moths are masks or part of the skin is a concept that Leong plays with. Situated on a separate wall is a portrait of Tom Cho; unlike his moth-marked companions, he has a nasty cut across his cheekbone with pink liquid oozing upwards into his sideburn. Cho’s image is the cover of his book, Look Who’s Morphing.
Comments from Lian Low, prose editor of Peril.
At the 2008 Melbourne and 2009 Adelaide Fringe Festivals, LOCA’s Ladies of Colour Cabaret show sold out every night they performed.Merge an Adelaide street magazine rated LOCA second in their “top ten most controversial, unexpected and weird moments” at the Adelaide Fringe.They came second only to Cunts – an exhibition of 140 porcelain sculptures of Read More »
One of my role models… encounters with Lisa Bellear