{"id":12051,"date":"2018-07-13T18:38:31","date_gmt":"2018-07-13T08:38:31","guid":{"rendered":"https:\/\/wordpress-711166-2356953.cloudwaysapps.com\/?p=12051"},"modified":"2018-07-13T18:37:36","modified_gmt":"2018-07-13T08:37:36","slug":"theory-of-colours","status":"publish","type":"post","link":"https:\/\/peril.com.au\/topics\/arts\/theory-of-colours\/","title":{"rendered":"Theory of Colours"},"content":{"rendered":"

‘Theory of Colours’ is part of a six-poet series presented alongside NIDANights\u00a0in the Peril x NIDA Melbourne event collaboration, ‘You Are Not Here’<\/a>.<\/p>\n

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I. Coloured Objects<\/h1>\n

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II. Coloured Shadows<\/h1>\n

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‘Theory of Colours’ is part of a six-poet series presented alongside NIDANights\u00a0in the Peril x NIDA Melbourne event collaboration, ‘You Are Not Here’.   I. Coloured Objects    <\/p>\n","protected":false},"author":442,"featured_media":12082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[164],"tags":[5,27,377,2421,2541,2542],"yoast_head":"\nTheory of Colours - Peril magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/peril.com.au\/topics\/arts\/theory-of-colours\/\" \/>\n<link rel=\"next\" href=\"https:\/\/peril.com.au\/topics\/arts\/theory-of-colours\/2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Theory of Colours - Peril magazine\" \/>\n<meta property=\"og:description\" content=\"‘Theory of Colours’ is part of a six-poet series presented alongside NIDANights\u00a0in the Peril x NIDA Melbourne event collaboration, ‘You Are Not Here’.   I. 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