{"id":25344,"date":"2020-11-13T07:00:08","date_gmt":"2020-11-12T20:00:08","guid":{"rendered":"https:\/\/wordpress-711166-2356953.cloudwaysapps.com\/?p=25344"},"modified":"2020-11-12T16:29:37","modified_gmt":"2020-11-12T05:29:37","slug":"the-anniversary","status":"publish","type":"post","link":"https:\/\/peril.com.au\/back-editions\/edition-44\/the-anniversary\/","title":{"rendered":"The Anniversary"},"content":{"rendered":"

\"Monster<\/a><\/p>\n

LOCATION: The Great Petition Sculpture, Burston Reserve, East Melbourne<\/p>\n

This 20-metre furled steel sculpture, by artists Susan Hewitt and Penelope Lee, commemorates the ‘Monster Petition’, a collection of close to 30,000 signatures collected from women in 1891 in support of equal voting rights for women. Installed in 2008, the artwork marked 100 years of women’s suffrage in Victoria.<\/em><\/p>\n

Kochava Lilit, in zir work, “The Anniversary” celebrates this achievement but with caution and reckoning, considering Yom Kippur, the Jewish holy day of atonement as a metaphor for women’s suffrage in our own country. As rights have been given to some, others have also been left behind. Feminism is no perfect, achievable outcome, it’s a reckoning and a righting of wrongs, even when that involves acknowledging culpability is messy and hard to apportion. Sometimes we are both right and wrong, sometimes we are grateful and sorry, sometimes we are asking forgiveness even as we celebrate.<\/em><\/p>\n